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Zapraszamy na sobotnie zajęcia próbne z robotyki dla dzieci

zajęcia próbne z robotyki

10 i 17 października 2020 odbędą się zajęcia próbne z Robotyki dla Dzieci 5-7lat

W sobotę zajęcia FUNrobotJUNIOR robotyka i programowanie – LEGO® WeDo 2.0 są ?BEZPŁATNE? dla osób, które po raz pierwszy biorą udział w zajęciach. Obowiązują zapisy online

DLACZEGO WARTO UCZĘSZCZAĆ NA NASZE ZAJĘCIA

Naszym celem jest nauka przez zabawę… a nasze zajęcia rozwijają następujące umiejętności:
☑️ myślenia przestrzennego i analitycznego,
☑️ planowania i rozwiązywania problemów,
☑️ współpracy i komunikacji w grupie,
☑️ właściwej organizacji czasu i miejsca pracy,
☑️ posługiwania się technicznymi pojęciami i słownictwem, co
pozwala w przyszłości korzystać z różnych technologii,
☑️ kształtowania koncentracji i wytrwałości podczas
wykonywanych zadań.

? Nasza Akademia Edukacyjna uczy zastosowania zdobytej wiedzy z zakresu matematyki, fizyki, automatyki oraz informatyki w praktyce.
? Podczas edukacyjnej zabawy na różnorodnych płaszczyznach naukowych, pomożemy dziecku odkryć i zrozumieć jego naturalne talenty i życiowe predyspozycje.
? Dzieci zdobywają wiedzę w najbardziej naturalny sposób, przez
własne doświadczenia, obserwacje i wnioski, a nie teoretyczne wykłady.
? Informatyka, robotyka i mechanika – to dziedziny, które zdominowały rozwój naszej cywilizacji. Dlatego tak ważne jest, aby już teraz zaszczepić w dziecku cyberpasję, która przygotuje do przyszłych zawodów i da przewagę w dorosłym życiu.

Wszystkich zainteresowanych prosimy o zgłoszenie się ✍poprzez formularz zapisu online, z podaniem danych dziecka (imię, nazwisko, nr. telefonu, e-mail oraz czy wcześniej uczęszczało na robotykę)

Zapisy online:
https://akademiaedukacyjna.com.pl/zapisy_online/

W formularzu proszę wybrać przedmiot: zajęcia próbne. W drugim kroku w polu „informacje dodatkowe” proszę wpisać: sobota 12:00 i wybraną datę.

Do zobaczenia ❗❗
Akademia Edukacyjna
Tel 698 658 854

314 218 komentarzy

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    Joker: Folie À Deux (15, 138 mins)
    Verdict: Bold, brilliant sequel 

    Rating:

    A Different Man (15, 112 mins)
    Verdict: A touching satire  

    Rating:

    Venice, a city long associated with masks and masquerades,
    was the perfect place to unveil Joker five years ago; and last month, at
    the venerable film festival there, it was followed by the sequel, Joker: Folie À Deux.

    The director is again Todd Phillips, with Joaquin Phoenix once more in the title role, this time joined by
    Lady Gaga as what I suppose we must call the love interest, although that would undervalue her wonderful performance.

    We’ve known since A Star Is Born in 2018 that she can act, but she really is terrific in a bad-girl role.
    They’d have loved her at St Trinian’s.

    This film is audaciously different in style from
    the original, not as electrifying, but bold and brilliant all the same.

    Arthur is now behind bars, waiting to see whether he will be judged sane enough to stand trial for murder, and in the meantime enjoying his celebrity status with
    fellow prisoners and even the warders, one of whom, a sadistic Irishman played by Brendan Gleeson, feeds
    him cigarettes in return for jokes.

    Joaquin Phoenix and Lady Gaga in sequel Joker: Folie À Deux

    Joaquin Phoenix in Joker: Folie a Deux – an American musical psychological
    thriller film directed by Todd Phillips

    Joaquin Phoenix reprises his role as the Joker, with Lady Gaga joining the
    cast as his love interest, Harley Quinn

    Lady Gaga plays Lee, a fellow inmate on her way, we suppose,
    to becoming Joker’s girlfriend Harley Quinn. The pair hit it off at a music
    therapy class, and are soon mutually smitten, but Lee
    makes it clear that she loves the dangerously charismatic Joker, 'clown prince of crime’, not the
    gloomily introspective Arthur.

    Read More

    Megalopolis review: Coppola’s self-indulgent comeback may be a MEGAFLOPOLIS

    Which is more real: the psychopath wearing the mask or the vulnerable fellow behind it?
    Either way, identity confusion is the theme of this film, which keeps being billed as a musical. 

    It’s not, really, although music looms large as an expression of Arthur and Lee’s burgeoning love for one another.
    And there are a couple of swooning dance routines that make them look
    like psychotic versions of Ryan Gosling and Emma Stone in La La Land (2016).

    Moreover, it is while watching Vincente Minnelli’s 1953 classic The Band Wagon that Lee, who claims
    to have been imprisoned for arson, sets fire to their
    prison wing.

    The ensuing chaos provides an excellent opportunity to escape, yet Phillips and
    his co-writer Scott Silver skilfully toy with our expectations throughout; each time we anticipate which way the narrative is going to go, it
    confounds us by wheeling off in another direction.

    Joaquin Phoenix in Joker: Folie a Deux – an American musical psychological thriller film directed by Todd Phillips

    For me, Joker was a near-masterpiece, and while this sequel doesn’t scale those
    heady heights, it is still a gripping film about mental illness,
    writes Brian Viner 

    Eventually, after Arthur’s high-profile TV appearance with a
    smug interviewer played by Steve Coogan, it is time for the trial,
    with all of Gotham gripped by the subject of multiple personality disorder.

    Is the defendant accused of five murders Arthur, or is it Joker?

    His kindly lawyer (Catherine Keener) strives to show it is the former;
    Lee just as urgently wants him to identify as his demonic alter ego.

    Read More

    His Three Daughters review: Savour this exquisite elegy
    to death and sisterhood, writes BRIAN VINER

    For me, Joker was a near-masterpiece, and while this sequel doesn’t scale those heady heights,
    it is still a gripping film about mental illness; not quite comparable
    with all-time greats such as Psycho (1960) and One Flew Over The Cuckoo’s Nest (1975), but not too far off.

    – Joker’s Gotham, of course, is a lightly fictionalised version of New York City.
    The real thing is the backdrop to A Different Man,
    another absorbing story, splendidly written and directed by
    Aaron Schimberg, about an urban loner struggling with life.

    In the case of the troubled, self-conscious Edward (Sebastian Stan), an aspiring actor, that’s apparently because he has a disfiguring craniofacial condition. Instructional corporate videos
    seem to be about as far as he can get in the acting world.

    There are obvious echoes of The Elephant Man (1980), and for that matter of recent
    release The Substance, in which Demi Moore’s character, a former movie star 'disfigured’ by a few wrinkles, finds a way
    of transforming into her own younger self.

    A still from the film A Different Man directed by Aaron Schimberg

    Here, Edward is told by a doctor that 'an alternative path has presented itself’.
    In other words, medical science has found a way to reverse his condition, turning him into a
    perfectly attractive middle-aged man.

    But Schimberg’s point, made with great satirical swagger, is that Edward,
    despite his radical change in appearance, is still the same person underneath
    that he always was.

    In his former condition he was befriended by his pretty, charismatic neighbour,
    Ingrid (Renate Reinsve), a playwright. Now he
    is able to fall into bed with her, and to star in a play she has written about their relationship, little though she
    knows of his real identity.

    I was even reminded of Tootsie (1982) and Mrs Doubtfire (1993) as
    Edward’s new persona fundamentally fails to alter who he actually is.
    This is illuminated by the arrival of Oswald, an Englishman with the same condition Edward once had, but popular, witty,
    confident, and gloriously played by Adam Pearson (who really does suffer from a disfiguring condition called neurofibromatosis).

    Pearson is probably best-known for his debut film, Jonathan Glazer’s brilliant Under The Skin (2013).
    Which is apt, because this picture, too, is about
    what’s under the skin.

    -A longer review of Joker: Folie À Deux ran a month ago.
    Both films are in cinemas now.

     

    Paul Weller’s film debut? That’s entertainment!

    The 68th London Film Festival opens next week with the world premiere of Blitz, director Steve McQueen’s drama set in London as the
    Luftwaffe’s bombs rain down night after night.

    Saoirse Ronan, for my money one of the most talented actresses of her generation, plays Rita, an East End mum whose son George (Elliott Heffernan) goes missing.
    It sounds intriguing even without the casting of The Jam’s former front
    man Paul Weller — in his feature film debut — as Rita’s father.

    I’m also very much looking forward to another world premiere,
    Joy, the story of the three brilliant British medical pioneers whose work on IVF led to the world’s first 'test-tube’ baby, Louise Brown, in 1978.

    Saoirse Ronan, Elliott Heffernan and Paul Weller in the film 'Blitz’

    It is directed by Ben Taylor, best-known for his TV work
    on shows such as Sex Education and Catastrophe, and stars
    Bill Nighy, James Norton and Thomasin McKenzie.

    I have heard great things about Conclave, the adaptation of Robert Harris’s novel starring Ralph
    Fiennes and Stanley Tucci. A couple of new documentaries catch the eye,
    too. One of them is made by actress Sadie Frost, whose directing debut was
    a film about Mary Quant. This time she turns to another fashion icon of the 1960s, with a feature called Twiggy.

    And Elton John: Never Too Late promises a 'uniquely intimate’ look at
    the star’s life and career. It’s been made by his long-time partner David Furnish, so… we’ll
    see.

    For more details, visit bfi.org.uk/lff.

    Lady GagaSebastian StanSaoirse Ronan

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